2015 Year End Sale | Shine On Studio Cyber Holiday Sale

2015 has been a great year for music at Shine On Studio.

Shine On Studio was voted the #1 recording studio in the Bay Area by Thumbtack.com and is currently the featured spotlight business on their website.

With the studio success, there have been some upgrades to the equipment and studio furnishings. We've added (5) 16 channel headphone mixers to the recording room. This allows each musician to create a custom headphone mix for tracking. This is a great way to dial in the perfect sound during recording. Plus we've added some new mics & mic preamps to offer a wider selection of recording options.

Now it is time to wrap things up for 2015 and I'm offering some huge discounts on studio time. Check out the Cyber Holiday sale for big savings on studio rates. Plus, all Cyber Holiday deals come with 2 bonus offers that will save you even more cash all the way through 2016. All the details are on the webpage. Please contact me if you have any questions about the Cyber Deals.

I'm looking forward to working with everyone on their new music projects in 2016!

Happy Holidays!

Pro Tools 101 | Adding Automation Edit Points to Volume, Panning, and Mute lines

Automation in music is the real distinction between a professional sound and an amateur sound. Knowing how to properly adjust your automation lines takes time and practice. I've created a tutorial video to help you get started. This is a basic Pro Tools 101 video for audio production beginners. However, I usually learn something new from every video that I watch, so this may be a good place to start for everyone that wants to know more about using automation in Pro Tools.

You can also check out my YouTube channel and find many other helpful videos on how to record, mix, master, and produce in Pro Tools. 

Mixing without plugins

How many of your mixes have plugins strewn across each and every channel? I'm going to guess almost all of them or at least a good portion of them. Are you relying on the plugins to make your recordings sound better? Have you ever tried to mix with just panning and volume adjustments?

Today's modern engineer has become too dependent on digital enhancements of recordings. Things like proper mic placement and quality mic preamps have been replaced with software that constantly needs to be upgraded. Thus, music is loosing the ambiance and mood of the performance that was captured in the studio. Lush layering techniques are being replaced with copy & paste keyboard commands.

I pose this challenge to all engineers that are mixing with a DAW; make a rough mix of your recordings with no plugins just so you can hear the naked truth about your mics, mic placement, and room reflections. Mastering what mic to use and where to place it to capture the best sound will exalt your recordings to unparalleled quality. Musicians will flock to you once you've learned how to capture the purity of sound and translate it in to timeless recordings. If you are using plugins like training wheels on a bike, it's time to grow up and learn how to balance your mixes with knowledge and experience.

View more articles on our site: http://shineonstudio.com

Mixing Keyboards & Synths

Keys and synths can appear to be an easy task to mix. They have dedicated outputs and don't require microphones. This very fact is what makes them difficult to tame sometimes. Their EQ spectrum can be all over the stereo field and this can make them unruly when it comes time to mix. My approach is to save the keys & synths for last. I like to mute them and address the drums, bass, guitars, & vocals first to get a nice even balance. Then the keys are like the icing on the cake. They layer a nice thick sound over the mix and it allows you to use surgical EQ to get the pockets filled to your taste. Keys are sometimes the glue that pulls a mix together and sometimes they cloud up the mix and make it murky.

Approaching keys with care can give you more control over the final balance of the mix. In some mixes, it would be a good idea to add some light delay on a 16th note. This can give the appearance of a wider sound for the keys in the mix. You can also split the signal into two mono tracks and add reverb to just the left channel. This will give the keys more depth in the low end and allow the high end to shine a bit more.

Piano tracks typically benefit from proper EQ and a silky sounding reverb. The mood of the track will lead you to what style and depth of reverb to use. I love to hear a dark reverb with long tails, so I like to use a low pass filter on the reverb return. This allows the initial attack of the bright notes to shine with a very pleasing trail of dark tones following behind them.

Avid HD Omni

AVID HD OMNI 

Shine On Studios is proud to announce the addition of the AVID HD OMNI system to our studio. This top-of-the-line HD interface for Pro Tools HD offers pristine A/D & D/A conversion with two high-end mic pre-amps. Paired with our 96 i/o, we now offer 20 channels of HD recording!

The studio is sounding better than ever. Tracks are clean and punchy! The clarity is amazing and Pro Tools 10HD offers our engineers so many ways to enhance and mix tracks. Everything from Elastic Audio to extremely low latency, gives every track produced at the studio that professional touch that makes them shine! 

 

Kevin Barnard recently recorded some tracks from his upcoming album and the acoustic guitar has so much emotion and life in it. The album will be completely mixed in Pro Tools 10HD and will be our first full-length album to feature the impressive quality of this HD system. Kevin has some teaser tracks up on his Reverbnation page.