Recently recorded a project that had some heavy guitar riffs. The
guitarist wanted to get that overdriven tone, but still retain clarity.
This is always a challenge for any engineer. Mic choice and placement
are crucial. Amp volume rears its ugly head in your face and can create a
nightmare for you in the mix. Here's how I did it without spending a
lot of time trying to get just the right take in one shot.
Setup a
few mics in front of the cab. I like to use a Shure SM57, Shure SM7B,
Sennheiser e606, and Sennheiser 421. Put one in front of each cone
slightly off-axis and pointing away from each other. Then run the guitar
to a DI for tracking the clean signal and then thru to the amp head.
Based on how many mics you setup + the DI, you'll have a decent amount
of tracks to work with. Normally, I don't use all the tracks, plus there
can be phasing issues. All I need is one good track from the take and
we're golden.
The first take should be at the level of over-driven
tone that the guitarist prefers. Then re-amp the clean signal with the
amp at a slightly lower volume. This should give you more clarity from
the performance. You can keep doing this routine until you get enough
layers to blend in the desired sound for the guitar tone. Pan out the
different takes and adjust volume levels to widen the mix.
This is just the concept. You'll need to experiment with your setup to find out what works best.
More recording techniques and info on our site: http://shineonstudio.com
Showing posts with label Studio. Show all posts
Showing posts with label Studio. Show all posts
Wednesday, June 17, 2015
Recording Guitars & Amps
Wednesday, June 10, 2015
How to get the most from your Recording Studio Time
Many bands come to Shine On with no prior studio experience, so here are a few tips for using studio time efficiently.
First
and most importantly, be prepared to spend time working on recording
& mixing. Spending all your time on recording will leave you with
unfinished tracks. A good engineer will record decent raw tracks, but
they will still need to be mixed. The amount of time it takes to mix a
track can vary, but a good rule to follow is at least 1 hour of mixing
for each recorded minute. So a 4 minute song can take 4 hours to mix. If
you want to get technical about the mix, plan more time. Better to
over-estimate than run out of time with half-mixed tracks.
Second,
show up on time. Time is the primary factor for how your session moves
along. Showing up late to a session is the same as giving away money.
Don't expect an engineer to stay late cause you showed up late. It's
called an appointment and that means everyone has agreed to meet at a
specific time.
Third, make
sure your gear is in good condition to record. Tune, replace strings,
bring spare everything, and always plan for the worst-case scenario. It
doesn't happen often, but I've had sessions where the tubes in the amp
burn out. Think of everything because this rolls back to the time
factor. Running to Guitar Center in the middle of your session is waste
of time and money. Don't expect the studio to put your session on hold
while you run errands.
If you plan ahead and prepare for your session, you'll walk away with great recordings that sound professional.
More articles available on our studio website: http://shineonstudio.com/blog/
More articles available on our studio website: http://shineonstudio.com/blog/
Wednesday, April 17, 2013
Avid HD Omni
AVID HD OMNI
Shine On Studios is proud to announce the addition of the AVID HD OMNI system to our studio. This top-of-the-line HD interface for Pro Tools HD offers pristine A/D & D/A conversion with two high-end mic pre-amps. Paired with our 96 i/o, we now offer 20 channels of HD recording!
The studio is sounding better than ever. Tracks are clean and punchy! The clarity is amazing and Pro Tools 10HD offers our engineers so many ways to enhance and mix tracks. Everything from Elastic Audio to extremely low latency, gives every track produced at the studio that professional touch that makes them shine!
Kevin Barnard recently recorded some tracks from his upcoming album and the acoustic guitar has so much emotion and life in it. The album will be completely mixed in Pro Tools 10HD and will be our first full-length album to feature the impressive quality of this HD system. Kevin has some teaser tracks up on his Reverbnation page.
Subscribe to:
Posts (Atom)

